I just got back from the Ngalabi Short Film Festival, still reeling from the experience. Couldn’t make it for all 3 days, only made it for one, but it was a million wins. A day of discovery, inspiration and realization.
The festival showcased an array of films, each unique in its story telling approach. One film, “MISS UNDERSTOOD” by Esther Beukes a heart-wrenching tale of unrequited love, I mean who hasn’t been there? The lonely librarian’s story had me feeling all feels. I was invested. It was both poignant and thought provoking, a reminiscent of those painful poems and novels that I devour at night, but now it was on screen.
What really blew my mind was the animation “FRACTURED” by a nineteen-year-old genius Mary Josephine Namirembe. I mean I’m still trying to pick up the pieces of my shattered insecurities. Its like looking in a mirror, realizing we’re all beautiful, just… fractured but still deserving of acceptance.
Another stand out, “LANYONYO” a science fiction by Dilman Dila, no subtitles due to technical issues, but I got it! The power of visual story telling forks, I didn’t need an Acholi friend next to me, it was like watching a dance, understanding the emotions without needing words.
“FROM HERE TO THERE” by Remmy Ryumugabe, a haunting film that explored the theme of death. The idea of a dance with death was both eerie and captivating. It made me realise that death is inevitable, both beautiful and ugly, its just a matter of coming to terms with it. A beautiful dance of transition.
Let me not forget “LE FETICHE” by Samuel Mathurin Kouame Codjovi. A hilarious film that had me in laughter. The story of a helpless dancer who borrows a fetish from a friend, only to lose it. Discovering later after his misadventure of trying to repay the gods for loosing it that it was his friend’s daughter’s doll. It was a masterclass in comedic storytelling. Its absurdity and clever plot twists made it stand out.
The Q&A session was eye-opening. Filmmakers, take note: know your stuff! Research, research, research! We should be well-versed with our work, having done extensive research to effectively answer questions. Dilman Dila answered questions about science fiction and the African culture with ease, showcasing his expertise. His answers were thoughtful and well-researched, leaving no doubt that he is a master of his art.
Now about the 10k and above drinks… let’s say I won’t be forgetting that anytime soon – a far cry from my usual 3-5k drink! But as they say, “when in Rome…”
I must admit, not every film resonated with me, beautiful stories though I didn’t get them entirely – my poor brain! But that’s the beauty of art- its subjective, like my taste in drinks (clearly, not 20k worthy).
Ngalabi was an incredible experience, discovered new story telling methods, the potential of turning poetry into film – mind blown! I was inspired by the talent on display. The festival revealed the power of short films to captivate, educate and inspire. I left with a renewed appreciation for art form and a sense of excitement for the possibilities it holds. And who knows, maybe one day I’ll have the chance to showcase my own short films at festivals like Ngalabi. A filmmaker can dream, right?
If you ever get a chance to attend, grab it! Just, you know, bring a fat wallet.